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    Marianas Trench draw on well-established strengths – their trademark, heavily layered harmonies, as well as blazing guitars set against club-worthy beats - but Phantoms also finds the Vancouver-based four-piece pushing their musical boundaries relentlessly. From the jaw-dropping opener, ‘Eleonora’ – a heavily layered a cappella salute to Edgar Allan Poe’s 1842 short story of the same name – to the unapologetically epic closer, ‘The Killing Kind’, with its deep orchestration, ripping guitars and vocal gymnastics. 

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